Header logo is ps


2012


Thumb xl pengthesisteaser
Virtual Human Bodies with Clothing and Hair: From Images to Animation

Guan, P.

Brown University, Department of Computer Science, December 2012 (phdthesis)

pdf [BibTex]

2012

pdf [BibTex]


Thumb xl deqingthesisteaser
From Pixels to Layers: Joint Motion Estimation and Segmentation

Sun, D.

Brown University, Department of Computer Science, July 2012 (phdthesis)

pdf [BibTex]

pdf [BibTex]


Thumb xl screenshot area 2015 07 27 011047
An Analysis of Successful Approaches to Human Pose Estimation

Lassner, C.

An Analysis of Successful Approaches to Human Pose Estimation, University of Augsburg, University of Augsburg, May 2012 (mastersthesis)

Abstract
The field of Human Pose Estimation is developing fast and lately leaped forward with the release of the Kinect system. That system reaches a very good perfor- mance for pose estimation using 3D scene information, however pose estimation from 2D color images is not solved reliably yet. There is a vast amount of pub- lications trying to reach this aim, but no compilation of important methods and solution strategies. The aim of this thesis is to fill this gap: it gives an introductory overview over important techniques by analyzing four current (2012) publications in detail. They are chosen such, that during their analysis many frequently used techniques for Human Pose Estimation can be explained. The thesis includes two introductory chapters with a definition of Human Pose Estimation and exploration of the main difficulties, as well as a detailed explanation of frequently used methods. A final chapter presents some ideas on how parts of the analyzed approaches can be recombined and shows some open questions that can be tackled in future work. The thesis is therefore a good entry point to the field of Human Pose Estimation and enables the reader to get an impression of the current state-of-the-art.

pdf [BibTex]

pdf [BibTex]


Thumb xl teaser dagstuhl lau
Exploiting pedestrian interaction via global optimization and social behaviors

Leal-Taixé, L., Pons-Moll, G., Rosenhahn, B.

In Theoretic Foundations of Computer Vision: Outdoor and Large-Scale Real-World Scene Analysis, Springer, April 2012 (incollection)

pdf [BibTex]

pdf [BibTex]


Thumb xl rotationpose
Data-driven Manifolds for Outdoor Motion Capture

Pons-Moll, G., Leal-Taix’e, L., Gall, J., Rosenhahn, B.

In Outdoor and Large-Scale Real-World Scene Analysis, 7474, pages: 305-328, LNCS, (Editors: Dellaert, Frank and Frahm, Jan-Michael and Pollefeys, Marc and Rosenhahn, Bodo and Leal-Taix’e, Laura), Springer, 2012 (incollection)

video publisher's site pdf Project Page [BibTex]

video publisher's site pdf Project Page [BibTex]


Thumb xl tseb1
Scan-Based Flow Modelling in Human Upper Airways

Perumal Nithiarasu, Igor Sazonov, Si Yong Yeo

In Patient-Specific Modeling in Tomorrow’s Medicine, pages: 241 - 280, 0, (Editors: Amit Gefen), Springer, 2012 (inbook)

[BibTex]

[BibTex]


Thumb xl multiclasshf
An Introduction to Random Forests for Multi-class Object Detection

Gall, J., Razavi, N., van Gool, L.

In Outdoor and Large-Scale Real-World Scene Analysis, 7474, pages: 243-263, LNCS, (Editors: Dellaert, Frank and Frahm, Jan-Michael and Pollefeys, Marc and Rosenhahn, Bodo and Leal-Taix’e, Laura), Springer, 2012 (incollection)

code code for Hough forest publisher's site pdf Project Page [BibTex]

code code for Hough forest publisher's site pdf Project Page [BibTex]


Thumb xl kinectbookchap
Home 3D body scans from noisy image and range data

Weiss, A., Hirshberg, D., Black, M. J.

In Consumer Depth Cameras for Computer Vision: Research Topics and Applications, pages: 99-118, 6, (Editors: Andrea Fossati and Juergen Gall and Helmut Grabner and Xiaofeng Ren and Kurt Konolige), Springer-Verlag, 2012 (incollection)

Project Page [BibTex]

Project Page [BibTex]

2007


Thumb xl implant
Probabilistically modeling and decoding neural population activity in motor cortex

Black, M. J., Donoghue, J. P.

In Toward Brain-Computer Interfacing, pages: 147-159, (Editors: Dornhege, G. and del R. Millan, J. and Hinterberger, T. and McFarland, D. and Muller, K.-R.), MIT Press, London, 2007 (incollection)

pdf [BibTex]

2007

pdf [BibTex]

1999


Thumb xl paircover
Artscience Sciencart

Black, M. J., Levy, D., PamelaZ,

In Art and Innovation: The Xerox PARC Artist-in-Residence Program, pages: 244-300, (Editors: Harris, C.), MIT-Press, 1999 (incollection)

Abstract
One of the effects of the PARC Artist In Residence (PAIR) program has been to expose the strong connections between scientists and artists. Both do what they do because they need to do it. They are often called upon to justify their work in order to be allowed to continue to do it. They need to justify it to funders, to sponsoring institutions, corporations, the government, the public. They publish papers, teach workshops, and write grants touting the educational or health benefits of what they do. All of these things are to some extent valid, but the fact of the matter is: artists and scientists do their work because they are driven to do it. They need to explore and create.

This chapter attempts to give a flavor of one multi-way "PAIRing" between performance artist PamelaZ and two PARC researchers, Michael Black and David Levy. The three of us paired up because we found each other interesting. We chose each other. While most artists in the program are paired with a single researcher Pamela jokingly calls herself a bigamist for choosing two PAIR "husbands" with different backgrounds and interests.

There are no "rules" to the PAIR program; no one told us what to do with our time. Despite this we all had a sense that we needed to produce something tangible during Pamela's year-long residency. In fact, Pamela kept extending her residency because she did not feel as though we had actually made anything concrete. The interesting thing was that all along we were having great conversations, some of which Pamela recorded. What we did not see at the time was that it was these conversations between artists and scientists that are at the heart of the PAIR program and that these conversations were changing the way we thought about our own work and the relationships between science and art.

To give these conversations their due, and to allow the reader into our PAIR interactions, we include two of our many conversations in this chapter.

[BibTex]

1999

[BibTex]