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1999


Thumb xl bildschirmfoto 2013 01 14 um 09.07.06
Edges as outliers: Anisotropic smoothing using local image statistics

Black, M. J., Sapiro, G.

In Scale-Space Theories in Computer Vision, Second Int. Conf., Scale-Space ’99, pages: 259-270, LNCS 1682, Springer, Corfu, Greece, September 1999 (inproceedings)

Abstract
Edges are viewed as statistical outliers with respect to local image gradient magnitudes. Within local image regions we compute a robust statistical measure of the gradient variation and use this in an anisotropic diffusion framework to determine a spatially varying "edge-stopping" parameter σ. We show how to determine this parameter for two edge-stopping functions described in the literature (Perona-Malik and the Tukey biweight). Smoothing of the image is related the local texture and in regions of low texture, small gradient values may be treated as edges whereas in regions of high texture, large gradient magnitudes are necessary before an edge is preserved. Intuitively these results have similarities with human perceptual phenomena such as masking and "popout". Results are shown on a variety of standard images.

pdf [BibTex]

1999

pdf [BibTex]


Thumb xl bildschirmfoto 2013 01 07 um 12.35.15
Probabilistic detection and tracking of motion discontinuities

(Marr Prize, Honorable Mention)

Black, M. J., Fleet, D. J.

In Int. Conf. on Computer Vision, ICCV-99, pages: 551-558, ICCV, Corfu, Greece, September 1999 (inproceedings)

pdf [BibTex]

pdf [BibTex]


Thumb xl paircover
Artscience Sciencart

Black, M. J., Levy, D., PamelaZ,

In Art and Innovation: The Xerox PARC Artist-in-Residence Program, pages: 244-300, (Editors: Harris, C.), MIT-Press, 1999 (incollection)

Abstract
One of the effects of the PARC Artist In Residence (PAIR) program has been to expose the strong connections between scientists and artists. Both do what they do because they need to do it. They are often called upon to justify their work in order to be allowed to continue to do it. They need to justify it to funders, to sponsoring institutions, corporations, the government, the public. They publish papers, teach workshops, and write grants touting the educational or health benefits of what they do. All of these things are to some extent valid, but the fact of the matter is: artists and scientists do their work because they are driven to do it. They need to explore and create.

This chapter attempts to give a flavor of one multi-way "PAIRing" between performance artist PamelaZ and two PARC researchers, Michael Black and David Levy. The three of us paired up because we found each other interesting. We chose each other. While most artists in the program are paired with a single researcher Pamela jokingly calls herself a bigamist for choosing two PAIR "husbands" with different backgrounds and interests.

There are no "rules" to the PAIR program; no one told us what to do with our time. Despite this we all had a sense that we needed to produce something tangible during Pamela's year-long residency. In fact, Pamela kept extending her residency because she did not feel as though we had actually made anything concrete. The interesting thing was that all along we were having great conversations, some of which Pamela recorded. What we did not see at the time was that it was these conversations between artists and scientists that are at the heart of the PAIR program and that these conversations were changing the way we thought about our own work and the relationships between science and art.

To give these conversations their due, and to allow the reader into our PAIR interactions, we include two of our many conversations in this chapter.

[BibTex]

[BibTex]


Thumb xl bildschirmfoto 2013 01 14 um 09.12.47
Explaining optical flow events with parameterized spatio-temporal models

Black, M. J.

In IEEE Proc. Computer Vision and Pattern Recognition, CVPR’99, pages: 326-332, IEEE, Fort Collins, CO, 1999 (inproceedings)

pdf video [BibTex]

pdf video [BibTex]